Collaboration with Christine Cornwell Commissioned by Screen Dive for Gaudeamus Music Week Festival 2022 A disection table, a seance, a meal, a social encounter. Ecstasies of things brings together four...
Collaboration with Feronia Wennborg Developed during a weeklong residency at Fylkingen, premiered in Stockholm July 2022 This improvised voice and violin performance is part of a larger process of sounding...
Tea Break One to one performance, variable duration Developed and premiered during DRIFT residency with ZU-UK, London Working with the performative potential of tea blending and voice, I craft an...
Collaboration with Elisabeth Lusche Developed during ‘Listening as compositional practice’ workshop led by composers George Lewis and Isabel Mundry Premiered at Darmstadt Summer Course 2021 6 minute video This piece...
Collaboration with Christine Cornwell
Participatory digital performance , 45 minute guided audio score and virtual 3D room with spatialised vocal sounds from participants
Composition for two accordions written for Paul Zaba‘s Accordion Songbook Vol. 1. When one first gets acquainted with the accordion what is most apparent is its weight and the movement...
roar is a piece developed through a research process, as part of the Accordion Workshop at International Musical Institute Darmstadt where I set out to understand Sophie, what is specific to her as a musician and what her connection with her instrument is.
Developed as a multi sensory composition and comissioned by Post Paradise concert series in Birmingham, not for sensitive skin is part tactile stimuli research, part audio-visual performance with the visuals...