Composition for two accordions written for Paul Zaba‘s Accordion Songbook Vol. 1. When one first gets acquainted with the accordion what is most apparent is its weight and the movement...
roar is a piece developed through a research process, as part of the Accordion Workshop at International Musical Institute Darmstadt where I set out to understand Sophie, what is specific to her as a musician and what her connection with her instrument is.
Developed as a multi sensory composition and comissioned by Post Paradise concert series in Birmingham, not for sensitive skin is part tactile stimuli research, part audio-visual performance with the visuals...
