I am an artist and composer exploring embodiment within improvisation, moving visual scores and the relationship between composer and musician.
I graduated from Royal Birmingham Conservatoire, Music Technology department in 2014 and completed my Masters in Sound for Moving Image at Glasgow School of Art in 2016. For both degrees, my graduation projects looked at Pierre Schaeffer’s Typo-morphology theory, exploring how to apply this theory of analysis into a tool for composition. This led me to collaborate with creative coder Pawel Kudel to create Visual Object, interactive software that gave me live performative control over a moving visual score performed by Glasgow Improvisers Orchestra.
After using Visual Object, the concept of having the score as a participative element stayed with me and matured in future projects, such as not for sensitive skin and Breathe. What happens when the score becomes a tactile stimulus? How can the audience embody the experience of a performer? How does the composition process change when the performer’s subjective experience is what informs the piece? These are some of the questions that my practice is exploring through academic research, performance and new music.
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